![]() ![]() This realization of desires inherently feels good, and makes the E2 more attractive, signifying the success of the E2's act of seduction. They take what is internal and unconscious and say "that person wants what I have to give them," and because of their deeply intimate relationship with love they are able to realize the "true desires" of whoever they project their love-need to. The E2 has so great a need for love that they become beggars for it, but because they falsify and appear as kings they project in others their own need for love. Projection is the first foundation of seduction as it provides the means to anticipating the "true desires" of other people. ![]() ![]() Orgullo, Naranjo Seduction and Hedonism Therefore he projects that need in others. The Two falsifies his self-perception: you feel a loving being capable of giving yourself full, when in reality he is a being in need of love (a beggar disguised as a king), who rejects his need, which would make him feel too fragile and exposed to abandonment. ![]() Indeed, he believes that his pride is his strength when, In fact, it is the neurotic and destructive mode of it. In short, they get more love by pretending to have it, and the more this continues the more they see themselves as the indisputable "winner," the most valuable and indispensable person above all. However, the E2 doesn't just "give" their love like they want to appear to be, they sell it, becoming expectant and entitled characters who are still blind to the fact that they rely on the love exchange in order to feel valuable. E2 is a particularly economical character and recognizes that everyone lives in an economy of love, everyone is looking to be loved, and the ones who have a lot of love to give are the winners. This inflation comes from too much self love, an eye only for the self, and it is in turn supported by a false-abundance of love. In addition, it is also true that any excessively seductive person is one who implicitly believes: "I need to seduce to have what I want, otherwise I would not have it, since I do not deserve it just because I am who I am." In other words, the theater of pride hides a great lack of confidence in himself and in life. It does this because of a fear pushed deep into the unconscious that suggests that without this grandiose image they are insignificant and unlovable. This creates a sense of privilege and entitlement, it lacks a notion of boundaries, becoming limitless in its self-perception. What is meant by Pride is a sense of fantastical self-aggrandizement to make the self-image appear greater than it really is, simultaneously obscuring the E2's knowledge of their own limits and boundaries. The ego cycle that exists as the fundamental base of this character is Pride and False-abundance, the former being the passion (motivation) and the latter being the fixation (cognitive distortion) which perpetuates the passion. Histrionic, haughty, excessively romantic, assertive, hedonistic, seductive, grandiose. "Others are in need of my love, I am not in need of others' love." The repression of their underlying neediness for love, because if they have to ask for love than they believe that they are therefore not lovable. The cognitive support to Pride, constitutes the belief that the E2 inherently has a lot of love and needs to give it to others to become indispensable and central in the lives' of others. Imaginary exaltation of self-worth and attractiveness, demanding privileges, boasting, needing to be the center of attention, "playing the part of the princess". ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |